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Musical
Tour including Vienna Boys' Choir
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The White Hat Guide to Choral Music
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Australian Chamber Orchestra & The Hilliard Ensemble
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 The
Australian Chamber Orchestra (Helena Rathbone Lead Violin) with The Hilliard
Ensemble. White Hat refards The Hilliard Ensemble to be one of the finest male
vocal ensembles in the world. Their attention to tuning and chording in Medieval
and Renaissance music gives it a 'ring' not heard in ensembles who stick to
compromise of the equal temperament of the keyboard. This attention to ensemble
tuning also pays dividends in contemporary music. This promises to be a special
concert.
- Elgar
Serenade for strings
- Sheryngham Ah, gentle Jesu
- Raskatov Obikhod
(Australian Premiere)
- Pärt Most Holy Mother of God
- Gregorian Chant Veni Creator
Spiritus
- Anon (French Medieval) Veni Creator Spiritus
- Edwards Veni Creator
Spiritus
- Arensky Variations on a theme by Tchaikovsky
8pm, Saturday 10th March 2012,
Llewellyn Hall, ANU, Canberra
2pm, Sunday 11th March 2012, Sydney Opera House, Sydney
8pm, Monday 12th March 2012, QPAC Concert Hall, Brisbane
8pm, Tuesday 13th March 2012,
Adelaide Town Hall, Adelaide
7pm, Sat 17 Mar; 8pm 20 Mar; 7pm 21 Mar 2012
City Recital Hall Angel Place, Sydney
2.30pm, 18th March: 8pm 19th March 2012,
Melbourne Town Hall, Melbourne
7.30pm, Thursday 22nd March 2012, Wollongong Town Hall,
Wollongong |
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Buy tickets direct from ACO
here |
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Beethoven 9 - Ode to Joy
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The Australian
Chamber Orchestra with Richard Tognetti (Artistic Director
and Lead Violin), Choir of Clare College, Cambridge (Graham Ross
Director), Lucy Crowe (soprano), Fiona Campbell (mezzo soprano),
Allan Clayton (tenor) Matthew Brook (bass)
White Hat has long believed that many modern performance of Beethoven
symphonies by large symphony orchestras lack the vitality and drive of a
performance by a first rate chamber orchestra - supplemented where necessary -
of the proportions that Beethoven was writing for For those who share this view
we suggest you look no further. Critics called the ACO's recent Beethoven
concert in London “the finest concert of the summer” and spoke of
“thrilling playing”, “vibrant drive” and “total involvement”,
concluding, “this compact chamber orchestra matches anything Europe can offer
in energy, precision and interpretative rigour.”
Joined by one of the finest British choirs this concert promises to be
something special where every note Beethoven wrote can be heard rather than lost
in a sea of overblown orchestral 'atmosphere'.
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Australian Chamber Orchestra & The Hilliard Ensemble
|
The
Australian Chamber Orchestra (Helena Rathbone Lead Violin) with The Hilliard
Ensemble. White Hat refards The Hilliard Ensemble to be one of the finest male
vocal ensembles in the world. Their attention to tuning and chording in Medieval
and Renaissance music gives it a 'ring' not heard in ensembles who stick to
compromise of the equal temperament of the keyboard. This attention to ensemble
tuning also pays dividends in contemporary music. This promises to be a special
concert.
- Elgar
Serenade for strings
- Sheryngham Ah, gentle Jesu
- Raskatov Obikhod
(Australian Premiere)
- Pärt Most Holy Mother of God
- Gregorian Chant Veni Creator
Spiritus
- Anon (French Medieval) Veni Creator Spiritus
- Edwards Veni Creator
Spiritus
- Arensky Variations on a theme by Tchaikovsky
8pm, Saturday 10th March 2012,
Llewellyn Hall, ANU, Canberra
2pm, Sunday 11th March 2012, Sydney Opera House, Sydney
8pm, Monday 12th March 2012, QPAC Concert Hall, Brisbane
8pm, Tuesday 13th March 2012,
Adelaide Town Hall, Adelaide
7pm, Sat 17 Mar; 8pm 20 Mar; 7pm 21 Mar 2012
City Recital Hall Angel Place, Sydney
2.30pm, 18th March: 8pm 19th March 2012,
Melbourne Town Hall, Melbourne
7.30pm, Thursday 22nd March 2012, Wollongong Town Hall,
Wollongong |
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-
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Buy tickets direct from ACO
here |
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Beethoven 9 - Ode to Joy
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|
The Australian
Chamber Orchestra with Richard Tognetti (Artistic Director
and Lead Violin), Choir of Clare College, Cambridge (Graham Ross
Director), Lucy Crowe (soprano), Fiona Campbell (mezzo soprano),
Allan Clayton (tenor) Matthew Brook (bass)
White Hat has long believed that many modern performance of Beethoven
symphonies by large symphony orchestras lack the vitality and drive of a
performance by a first rate chamber orchestra - supplemented where necessary -
of the proportions that Beethoven was writing for For those who share this view
we suggest you look no further. Critics called the ACO's recent Beethoven
concert in London “the finest concert of the summer” and spoke of
“thrilling playing”, “vibrant drive” and “total involvement”,
concluding, “this compact chamber orchestra matches anything Europe can offer
in energy, precision and interpretative rigour.”
Joined by one of the finest British choirs this concert promises to be
something special where every note Beethoven wrote can be heard rather than lost
in a sea of overblown orchestral 'atmosphere'.
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8pm, Saturday 4th August 2012 |
Llewellyn Hall, ANU, Canberra
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Buy tickets direct from ACO
here |
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Beethoven 9 - Ode to Joy
|
|
The Australian
Chamber Orchestra with Richard Tognetti (Artistic Director
and Lead Violin), Choir of Clare College, Cambridge (Graham Ross
Director), Lucy Crowe (soprano), Fiona Campbell (mezzo soprano),
Allan Clayton (tenor) Matthew Brook (bass)
White Hat has long believed that many modern performance of Beethoven
symphonies by large symphony orchestras lack the vitality and drive of a
performance by a first rate chamber orchestra - supplemented where necessary -
of the proportions that Beethoven was writing for For those who share this view
we suggest you look no further. Critics called the ACO's recent Beethoven
concert in London “the finest concert of the summer” and spoke of
“thrilling playing”, “vibrant drive” and “total involvement”,
concluding, “this compact chamber orchestra matches anything Europe can offer
in energy, precision and interpretative rigour.”
Joined by one of the finest British choirs this concert promises to be
something special where every note Beethoven wrote can be heard rather than lost
in a sea of overblown orchestral 'atmosphere'.
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|
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Beethoven 9 - Ode to Joy
|
|
The Australian
Chamber Orchestra with Richard Tognetti (Artistic Director
and Lead Violin), Choir of Clare College, Cambridge (Graham Ross
Director), Lucy Crowe (soprano), Fiona Campbell (mezzo soprano),
Allan Clayton (tenor) Matthew Brook (bass)
White Hat has long believed that many modern performance of Beethoven
symphonies by large symphony orchestras lack the vitality and drive of a
performance by a first rate chamber orchestra - supplemented where necessary -
of the proportions that Beethoven was writing for For those who share this view
we suggest you look no further. Critics called the ACO's recent Beethoven
concert in London “the finest concert of the summer” and spoke of
“thrilling playing”, “vibrant drive” and “total involvement”,
concluding, “this compact chamber orchestra matches anything Europe can offer
in energy, precision and interpretative rigour.”
Joined by one of the finest British choirs this concert promises to be
something special where every note Beethoven wrote can be heard rather than lost
in a sea of overblown orchestral 'atmosphere'.
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|
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Beethoven 9 - Ode to Joy
|
|
The Australian
Chamber Orchestra with Richard Tognetti (Artistic Director
and Lead Violin), Choir of Clare College, Cambridge (Graham Ross
Director), Lucy Crowe (soprano), Fiona Campbell (mezzo soprano),
Allan Clayton (tenor) Matthew Brook (bass)
White Hat has long believed that many modern performance of Beethoven
symphonies by large symphony orchestras lack the vitality and drive of a
performance by a first rate chamber orchestra - supplemented where necessary -
of the proportions that Beethoven was writing for For those who share this view
we suggest you look no further. Critics called the ACO's recent Beethoven
concert in London “the finest concert of the summer” and spoke of
“thrilling playing”, “vibrant drive” and “total involvement”,
concluding, “this compact chamber orchestra matches anything Europe can offer
in energy, precision and interpretative rigour.”
Joined by one of the finest British choirs this concert promises to be
something special where every note Beethoven wrote can be heard rather than lost
in a sea of overblown orchestral 'atmosphere'.
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8pm, 7 Aug; 7pm, 8 Aug; 7pm 11 Aug 2012 |
City Recital Hall Angel Place, Sydney
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Buy tickets direct from ACO
here |
|
|
|
|
Beethoven 9 - Ode to Joy
|
|
The Australian
Chamber Orchestra with Richard Tognetti (Artistic Director
and Lead Violin), Choir of Clare College, Cambridge (Graham Ross
Director), Lucy Crowe (soprano), Fiona Campbell (mezzo soprano),
Allan Clayton (tenor) Matthew Brook (bass)
White Hat has long believed that many modern performance of Beethoven
symphonies by large symphony orchestras lack the vitality and drive of a
performance by a first rate chamber orchestra - supplemented where necessary -
of the proportions that Beethoven was writing for For those who share this view
we suggest you look no further. Critics called the ACO's recent Beethoven
concert in London “the finest concert of the summer” and spoke of
“thrilling playing”, “vibrant drive” and “total involvement”,
concluding, “this compact chamber orchestra matches anything Europe can offer
in energy, precision and interpretative rigour.”
Joined by one of the finest British choirs this concert promises to be
something special where every note Beethoven wrote can be heard rather than lost
in a sea of overblown orchestral 'atmosphere'.
|
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|
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|
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Beethoven 9 - Ode to Joy
|
|
The Australian
Chamber Orchestra with Richard Tognetti (Artistic Director
and Lead Violin), Choir of Clare College, Cambridge (Graham Ross
Director), Lucy Crowe (soprano), Fiona Campbell (mezzo soprano),
Allan Clayton (tenor) Matthew Brook (bass)
White Hat has long believed that many modern performance of Beethoven
symphonies by large symphony orchestras lack the vitality and drive of a
performance by a first rate chamber orchestra - supplemented where necessary -
of the proportions that Beethoven was writing for For those who share this view
we suggest you look no further. Critics called the ACO's recent Beethoven
concert in London “the finest concert of the summer” and spoke of
“thrilling playing”, “vibrant drive” and “total involvement”,
concluding, “this compact chamber orchestra matches anything Europe can offer
in energy, precision and interpretative rigour.”
Joined by one of the finest British choirs this concert promises to be
something special where every note Beethoven wrote can be heard rather than lost
in a sea of overblown orchestral 'atmosphere'.
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Petite Messe Solennelle By Gioacchino Rossini. Edited by
Fleming. Arranged by Fleming. For SATB Soloists, SATB, 2 Pianos, And
Harmonium. Published by Oxford University Press. (3380455)
See more info... |
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