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The White Hat Guide to Classical Music in Sydney & NSW
Below is a listing of classical music concerts and performances in Sydney & NSW.
| You may also choose to list concerts featuring particular composers or instruments by using the drop-down menus
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Sydney Moonlight Cinema - Don Giovanni
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Watch a movie in the night air in the outdoor setting of Belvedere
Amphitheatre, Centennial Park (on the corner of Loch Avenue & Broome Avenue)
Paddington. Enter the cinema via Woollahra Gates on Oxford Street. Tickets from $18/$16/$14 plus booking fee. Full details and bookings at
Moonlight Cinema.
Gates open at 6.30pm and screenings start at sundown. Food and drink available.
Tonight's movie is
Don Giovanni |
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Chopin & Mendelssohn's Octet
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The Australian Chamber Orchestra with Richard Tognetti (Artistic Director and Lead Violin)
and Polina Leschenko (piano). The orchestras three wonderful
heritage violins – a Stradivari, a Guarneri and a Guadagnini - will display
their wares in the Paganini caprices. Chopin's
first piano concerto is a much
loved work full of romantic lyricism and although Górecki is best known for his haunting and heartfelt Symphony of
Sorrowful Songs, his Piano Concerto bristles with driving rhythms and energy.
The concert ends with one of the glories of chamber music - Mendelssohn's
Octet. In White
Hat's experience ACO's performance of this work is the equal of any performance
you are likely to hear anywhere else in the world.
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7pm, 11 Feb; 8pm 14 Feb; 7pm 15 Feb 2012 |
City Recital Hall Angel Place, Sydney
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Buy tickets direct from ACO
here |
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Chopin & Mendelssohn's Octet
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The Australian Chamber Orchestra with Richard Tognetti (Artistic Director and Lead Violin)
and Polina Leschenko (piano). The orchestras three wonderful
heritage violins – a Stradivari, a Guarneri and a Guadagnini - will display
their wares in the Paganini caprices. Chopin's
first piano concerto is a much
loved work full of romantic lyricism and although Górecki is best known for his haunting and heartfelt Symphony of
Sorrowful Songs, his Piano Concerto bristles with driving rhythms and energy.
The concert ends with one of the glories of chamber music - Mendelssohn's
Octet. In White
Hat's experience ACO's performance of this work is the equal of any performance
you are likely to hear anywhere else in the world.
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Chopin & Mendelssohn's Octet
|
The Australian Chamber Orchestra with Richard Tognetti (Artistic Director and Lead Violin)
and Polina Leschenko (piano). The orchestras three wonderful
heritage violins – a Stradivari, a Guarneri and a Guadagnini - will display
their wares in the Paganini caprices. Chopin's
first piano concerto is a much
loved work full of romantic lyricism and although Górecki is best known for his haunting and heartfelt Symphony of
Sorrowful Songs, his Piano Concerto bristles with driving rhythms and energy.
The concert ends with one of the glories of chamber music - Mendelssohn's
Octet. In White
Hat's experience ACO's performance of this work is the equal of any performance
you are likely to hear anywhere else in the world.
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Chopin & Mendelssohn's Octet
|
The Australian Chamber Orchestra with Richard Tognetti (Artistic Director and Lead Violin)
and Polina Leschenko (piano). The orchestras three wonderful
heritage violins – a Stradivari, a Guarneri and a Guadagnini - will display
their wares in the Paganini caprices. Chopin's
first piano concerto is a much
loved work full of romantic lyricism and although Górecki is best known for his haunting and heartfelt Symphony of
Sorrowful Songs, his Piano Concerto bristles with driving rhythms and energy.
The concert ends with one of the glories of chamber music - Mendelssohn's
Octet. In White
Hat's experience ACO's performance of this work is the equal of any performance
you are likely to hear anywhere else in the world.
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8pm, Saturday 18th February 2012 |
Llewellyn Hall, ANU, Canberra
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Buy tickets direct from ACO
here |
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Australian Brandenburg Orchestra - Venice Secrets
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White
Hat suggests that for those interested in an introduction to the period
instruments of a Baroque orchestra it would be hard to find a better concert
than this one. Vivaldi, writing to develop and show off the remarkable
instrumental skills of the girls of the Ospedale Dell Pieta made sure
there were passages to parade each instrument briefly in the spotlight as well
as integrating them into the orchestral colour. And for those who need no
introduction to Baroque period instrument performances this concert will provide
you with the opportunity to see whether you agree with White Hat that the
Australian
Brandenburg Orchestra (Artistic Director Paul Dyer) is now of
international standard in its performance on period instruments. The concert
will feature Federico Guglielmo from Italy as guest director and violin soloist.
- Vivaldi
Ciaccona from Concerto for
Strings in C major RV 114
- Vivaldi
Concerto for several instruments in G minor RV 576
- Vivaldi
Concerto for several instruments in F major RV 572, Il Proteo
- Vivaldi
Concerto for several instruments in D major RV 562
- Vivaldi
Concerto for several instruments in F major RV 574
- Vivaldi
Concerto for two violins and two cellos RV 564
- Vivaldi
Concerto for several instruments in G minor RV 577
7pm Wed 22, Fri 24 & Wed 29 Feb, Fri 2 & Sat 3 March 2012; and
2pm Sat 3 March 2012, City
Recital Hall, Angel Place, Sydney |
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Enquiries & bookings: 1300 782 856 |
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Tafelmusik - The Galileo Project Music of the Spheres
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Canadian ensemble Tafelmusik will take you on an epic space odyssey, performing
period music before stunning images from the Hubble deep
space telescope. Combining music, photography and story-telling, The Galileo
Project brings to life the brilliant minds of the early astronomers and the
music that inspired them, as a large-scale, ever-changing backdrop of stars and
planets unfolds.
The publicity states "Using the best of
Bach,
Handel,
Monteverdi and
Vivaldi, come
and hear the tunes that were probably stuck in Galileo’s head when he discovered
the moons of Jupiter." Now you are probably thinking, like White Hat how
could tunes of composers who hadn't been born yet be stuck in his head. However
we are sure that this program has been meticulously researched so all will be
revealed. The program will also feature works by Lully,
Purcell,
Rameau,
Telemann & Michelangelo Galilei
brother of the astronomer). From the reputation of the group and the reviews of
this concert, White Hat suggests you go out of your way to attend.
[For those wanting a little background
to the history of the concept that over the centuries was known as The Music
of the Spheres, White Hat suggests that you consult the
program notes of Music of the Spheres
- given by Ars Nova of Melbourne. This concert is unrelated to the one above
but was also based on the relationship composers, mathematicians and scientists
long saw between music, mathematics and the heavenly bodies.] |
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7pm, Mon 5th March & 2pm, Sat 10 March 2012 |
City Recital Hall, Angel
Place, Sydney
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Enquiries & bookings: 1800 688 482 |
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Tafelmusik - The Galileo Project Music of the Spheres
|
Canadian ensemble Tafelmusik will take you on an epic space odyssey, performing
period music before stunning images from the Hubble deep
space telescope. Combining music, photography and story-telling, The Galileo
Project brings to life the brilliant minds of the early astronomers and the
music that inspired them, as a large-scale, ever-changing backdrop of stars and
planets unfolds.
The publicity states "Using the best of
Bach,
Handel,
Monteverdi and
Vivaldi, come
and hear the tunes that were probably stuck in Galileo’s head when he discovered
the moons of Jupiter." Now you are probably thinking, like White Hat how
could tunes of composers who hadn't been born yet be stuck in his head. However
we are sure that this program has been meticulously researched so all will be
revealed. The program will also feature works by Lully,
Purcell,
Rameau,
Telemann & Michelangelo Galilei
brother of the astronomer). From the reputation of the group and the reviews of
this concert, White Hat suggests you go out of your way to attend.
[For those wanting a little background
to the history of the concept that over the centuries was known as The Music
of the Spheres, White Hat suggests that you consult the
program notes of Music of the Spheres
- given by Ars Nova of Melbourne. This concert is unrelated to the one above
but was also based on the relationship composers, mathematicians and scientists
long saw between music, mathematics and the heavenly bodies.] |
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7pm, Thursday 8th March 2012 |
Llewellyn Hall, ANU
School of Music, Canberra
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Enquiries & bookings: 1800 688 482 |
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Australian Chamber Orchestra & The Hilliard Ensemble
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The
Australian Chamber Orchestra (Helena Rathbone Lead Violin) with The Hilliard
Ensemble. White Hat refards The Hilliard Ensemble to be one of the finest male
vocal ensembles in the world. Their attention to tuning and chording in Medieval
and Renaissance music gives it a 'ring' not heard in ensembles who stick to
compromise of the equal temperament of the keyboard. This attention to ensemble
tuning also pays dividends in contemporary music. This promises to be a special
concert.
- Elgar
Serenade for strings
- Sheryngham Ah, gentle Jesu
- Raskatov Obikhod
(Australian Premiere)
- Pärt Most Holy Mother of God
- Gregorian Chant Veni Creator
Spiritus
- Anon (French Medieval) Veni Creator Spiritus
- Edwards Veni Creator
Spiritus
- Arensky Variations on a theme by Tchaikovsky
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8pm, Saturday 10th March 2012 |
Llewellyn Hall, ANU, Canberra
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Buy tickets direct from ACO
here |
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Australian Chamber Orchestra & The Hilliard Ensemble
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The
Australian Chamber Orchestra (Helena Rathbone Lead Violin) with The Hilliard
Ensemble. White Hat refards The Hilliard Ensemble to be one of the finest male
vocal ensembles in the world. Their attention to tuning and chording in Medieval
and Renaissance music gives it a 'ring' not heard in ensembles who stick to
compromise of the equal temperament of the keyboard. This attention to ensemble
tuning also pays dividends in contemporary music. This promises to be a special
concert.
- Elgar
Serenade for strings
- Sheryngham Ah, gentle Jesu
- Raskatov Obikhod
(Australian Premiere)
- Pärt Most Holy Mother of God
- Gregorian Chant Veni Creator
Spiritus
- Anon (French Medieval) Veni Creator Spiritus
- Edwards Veni Creator
Spiritus
- Arensky Variations on a theme by Tchaikovsky
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Australian String Quartet - Towards Light
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The Australian String Quartet have new personnel for 2012 and White Hat feels
it is appropriate that for their first concert the new ensemble should emerge
out of the dreamtime with Peter Scunthorpe's Jabiru Dreaming (String Quartet
No.11). Dvořák as at his tuneful best in his String Quartet No.10 then
the concert finishes with one of the great 20th century chamber works -
Shostakovich's Piano Quintet. This work captures Shostakovich in one of his rare
moments of relaxation and seeming contentment. We have rated this concert at 4
hats on potential and, who knows, after this new ensemble has been heard for the
first time this may become 5 hats.
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Australian Chamber Orchestra & The Hilliard Ensemble
|
The
Australian Chamber Orchestra (Helena Rathbone Lead Violin) with The Hilliard
Ensemble. White Hat refards The Hilliard Ensemble to be one of the finest male
vocal ensembles in the world. Their attention to tuning and chording in Medieval
and Renaissance music gives it a 'ring' not heard in ensembles who stick to
compromise of the equal temperament of the keyboard. This attention to ensemble
tuning also pays dividends in contemporary music. This promises to be a special
concert.
- Elgar
Serenade for strings
- Sheryngham Ah, gentle Jesu
- Raskatov Obikhod
(Australian Premiere)
- Pärt Most Holy Mother of God
- Gregorian Chant Veni Creator
Spiritus
- Anon (French Medieval) Veni Creator Spiritus
- Edwards Veni Creator
Spiritus
- Arensky Variations on a theme by Tchaikovsky
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7pm, Sat 17 Mar; 8pm 20 Mar; 7pm 21 Mar 2012 |
City Recital Hall Angel Place, Sydney
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Buy tickets direct from ACO
here |
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Australian Chamber Orchestra & The Hilliard Ensemble
|
The
Australian Chamber Orchestra (Helena Rathbone Lead Violin) with The Hilliard
Ensemble. White Hat refards The Hilliard Ensemble to be one of the finest male
vocal ensembles in the world. Their attention to tuning and chording in Medieval
and Renaissance music gives it a 'ring' not heard in ensembles who stick to
compromise of the equal temperament of the keyboard. This attention to ensemble
tuning also pays dividends in contemporary music. This promises to be a special
concert.
- Elgar
Serenade for strings
- Sheryngham Ah, gentle Jesu
- Raskatov Obikhod
(Australian Premiere)
- Pärt Most Holy Mother of God
- Gregorian Chant Veni Creator
Spiritus
- Anon (French Medieval) Veni Creator Spiritus
- Edwards Veni Creator
Spiritus
- Arensky Variations on a theme by Tchaikovsky
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St Lawrence String Quartet and Diana Doherty
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White
Hat suggests that lovers of the oboe should head out of their way for this
concert. Diana Doherty is an Australian oboist who has won international
acclaim. In this concert she joins with the fine St Lawrence String Quartet
to perform Mozart's F major oboe quartet which is tuneful and refined - you
would expect nothing less of Mozart and later performs Australian composer
Matthew Hindson's Rush with its driving rhythms borrowing strongly from
rock and pop music. Mozart's quartet is flanked by string quartets from fellow
Viennese, Haydn and Beethoven.
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7.30pm, Saturday 14th April 2012 |
Harold Lobb Concert Hall,
Newcastle Conservatorium of Music, Newcastle
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Enquiries & bookings: 1800 688 482 |
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St Lawrence String Quartet and Diana Doherty
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White
Hat suggests that lovers of the oboe should head out of their way for this
concert. Diana Doherty is an Australian oboist who has won international
acclaim. In this concert she joins with the fine St Lawrence String Quartet
to perform Mozart's F major oboe quartet which is tuneful and refined - you
would expect nothing less of Mozart and later performs Australian composer
Matthew Hindson's Rush with its driving rhythms borrowing strongly from
rock and pop music. Mozart's quartet is flanked by string quartets from fellow
Viennese, Haydn and Beethoven.
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7pm, Monday 16th April 2012 |
City Recital Hall, Angel
Place, Sydney
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Enquiries & bookings: 1800 688 482 |
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St Lawrence String Quartet and Diana Doherty
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A fine string quartet, one of the best oboists in the world, a Mozart chamber
work full of tuneful grace and a Dvorák quartet ending with a movement of
exuberant optimism. White Hat suggests it would be a dreary soul indeed who
wouldn't enjoy this concert.
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2pm, Saturday 21st April 2012 |
City Recital Hall, Angel
Place, Sydney
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Enquiries & bookings: 1800 688 482 |
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Australian Brandenburg Orchestra - Bach Eternal
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Between
them , Bach and Handel wrote some of the most glorious choral music of the
Baroque period. Much of it involves collaboration with the orchestra which
sometimes the voices taking the lead and at others the instruments. White Hat
suggests that you are most likely to hear and appreciate this interplay when
period instruments are used at a high standard as you can be assured will happen
when the Brandenburg Choir joins with the
Australian
Brandenburg Orchestra under Artistic Director and conductor Paul Dyer
7pm Wed 9, Fri 11, Wed 16, Fri 18, Sat 19 May; 2pm Sat 19 May
2012, City Recital
Hall, Angel Place, Sydney |
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Enquiries & bookings: 1300 782 856 |
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Trio Dali
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The young and glamorous French trio are named after a Chinese marble, rather
than the Spanish artist. With two of the great works from the piano trio
repertoire, White Hat suspects this may turn out to be a memorable concert.
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7.30pm, Saturday 19th May 2012 |
Harold Lobb Concert Hall,
Newcastle Conservatorium of Music, Newcastle
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Enquiries & bookings: 1800 688 482 |
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Trio Dali
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The young and glamorous French trio are named after a Chinese marble, rather
than the Spanish artist. With two of the great works from the piano trio
repertoire, White Hat suspects this may turn out to be a memorable concert.
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7pm Mon 21st May & 2pm Sat 2 June 2012 |
City Recital Hall, Angel
Place, Sydney
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Enquiries & bookings: 1800 688 482 |
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Trio Dali
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The young and glamorous French trio are named after a Chinese marble, rather
than the Spanish artist. With two of the great works from the piano trio
repertoire, White Hat suspects this may turn out to be a memorable concert.
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7pm, Thursday 24th May 2012 |
Llewellyn Hall, ANU
School of Music, Canberra
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Enquiries & bookings: 1800 688 482 |
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Danielle de Niese with the Australian Chamber Orchestra
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Danielle de Niese (soprano)
has long been on White Hat's list of
Significant Melbourne People.
She was born in Melbourne and won Young Talent Time aged 9,
then moved to Los Angeles, won an Emmy and made her debut with the LA Opera aged
15. She has blossomed into one of the hottest properties in opera, enrapturing
audiences in roles like Cleopatra, Euridice and Susanna at Glyndebourne, the
Metropolitan Opera and on screen.
To celebrate her professional debut in her home country, De Niese sings a
specially commissioned Australian work, which also marks the centenary of
Australia’s Nobel laureate
Patrick White. The fireworks of
Mozart's
Exsultate jubilatee
is contrasted Schubert's haunting song, Death and the Maiden.
The
Australian Chamber Orchestra (Richard Tognetti Artistic Director and Lead
Violin) will then perform Schubert's masterly quartet (arranged for string
orchestra) which uses that same song as an inspiration.
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Australian String Quartet - Legacy
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The Australian
String Quartet's second concert in their 2011 combines early Beethoven, late
Brahms and the Australian composer Brett Dean who will also be playing viola.
White Hat suggests that the richness of texture provided by the additional viola
should make this a particularly satisfying concert.
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Beethoven
String Quartet in D, Op 18 No 3
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Brett Dean Epitaphs for Viola and String Quartet
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Brahms
String Quintet in G, Op 111 (with Brett Dean, viola)
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Danielle de Niese with the Australian Chamber Orchestra
|
Danielle de Niese (soprano)
has long been on White Hat's list of
Significant Melbourne People.
She was born in Melbourne and won Young Talent Time aged 9,
then moved to Los Angeles, won an Emmy and made her debut with the LA Opera aged
15. She has blossomed into one of the hottest properties in opera, enrapturing
audiences in roles like Cleopatra, Euridice and Susanna at Glyndebourne, the
Metropolitan Opera and on screen.
To celebrate her professional debut in her home country, De Niese sings a
specially commissioned Australian work, which also marks the centenary of
Australia’s Nobel laureate
Patrick White. The fireworks of
Mozart's
Exsultate jubilatee
is contrasted Schubert's haunting song, Death and the Maiden.
The
Australian Chamber Orchestra (Richard Tognetti Artistic Director and Lead
Violin) will then perform Schubert's masterly quartet (arranged for string
orchestra) which uses that same song as an inspiration.
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7pm 9 June; 8pm 12 June; 7pm 13 June 2012 |
City Recital Hall Angel Place, Sydney
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Buy tickets direct from ACO
here |
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Takács Quartet
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White Hat expects that this may well be on of the standout chamber music
concerts of the year in Australia. Debussy's delicate and atmospheric string
quartet together with Janáček's passionate first quartet both played by the
ensemble most acknowledge to be one of the finest string quartets in the world.
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2pm, Saturday 23rd June |
City Recital Hall, Angel
Place, Sydney
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Enquiries & bookings: 1800 688 482 |
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Danielle de Niese with the Australian Chamber Orchestra
|
Danielle de Niese (soprano)
has long been on White Hat's list of
Significant Melbourne People.
She was born in Melbourne and won Young Talent Time aged 9,
then moved to Los Angeles, won an Emmy and made her debut with the LA Opera aged
15. She has blossomed into one of the hottest properties in opera, enrapturing
audiences in roles like Cleopatra, Euridice and Susanna at Glyndebourne, the
Metropolitan Opera and on screen.
To celebrate her professional debut in her home country, De Niese sings a
specially commissioned Australian work, which also marks the centenary of
Australia’s Nobel laureate
Patrick White. The fireworks of
Mozart's
Exsultate jubilatee
is contrasted Schubert's haunting song, Death and the Maiden.
The
Australian Chamber Orchestra (Richard Tognetti Artistic Director and Lead
Violin) will then perform Schubert's masterly quartet (arranged for string
orchestra) which uses that same song as an inspiration.
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Takács Quartet
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Two of the finest string quartets of the 20th century performed by one of the
world's most respected chamber groups. White Hat suggests that you attend both
of the Takács Quartet concerts if you can. That way you can hear the pair pair
of Janáček quartets and the Ravel & Debussy Quartets (often regarded as a
'pair') both separated across tow nights - in our opinion the best way to hear
them.
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7pm, Wednesday 27th June 2012 |
Llewellyn Hall, ANU
School of Music, Canberra
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Enquiries & bookings: 1800 688 482 |
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Takács Quartet
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|
Two of the finest string quartets of the 20th century performed by one of the
world's most respected chamber groups. White Hat suggests that you attend both
of the Takács Quartet concerts if you can. That way you can hear the pair pair
of Janáček quartets and the Ravel & Debussy Quartets (often regarded as a
'pair') both separated across tow nights - in our opinion the best way to hear
them.
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7.30pm, Friday 29th June 2012 |
Harold Lobb Concert Hall,
Newcastle Conservatorium of Music, Newcastle
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Enquiries & bookings: 1800 688 482 |
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Takács Quartet
|
|
Two of the finest string quartets of the 20th century performed by one of the
world's most respected chamber groups. White Hat suggests that you attend both
of the Takács Quartet concerts if you can. That way you can hear the pair pair
of Janáček quartets and the Ravel & Debussy Quartets (often regarded as a
'pair') both separated across tow nights - in our opinion the best way to hear
them.
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7pm, Monday 2nd July 2012 |
City Recital Hall, Angel
Place, Sydney
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Enquiries & bookings: 1800 688 482 |
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Trout Quintet & Quartet for the End of Time
|

A rare treat. Two of what White Hat regards as the finest works in the chamber
music repetoire presented in the one concert. The Schubert
Trout Quintet is full of sunshine
and youthful optimism while Messiaen's
Quartet for the
End of Time is, in White Hat's opinion, one of the great works of the
20th century. A prisoner of war, Messiaen wrote the Quartet for the End of Time for the
musicians he found in the camp, premiering it to an audience of inmates and
guards. “Never” he said, "was I listened to with such rapt attention and
comprehension."
Australian
Chamber Orchestra Principals are joined by clarinettist Paul Dean and
dynamic young pianist Saleem Abboud Ashkar, making his Australian debut.The
performers are Helena Rathbone (violin), Christopher Moore (viola), Timo-Veikko
Valve (cello), Maxime Bibeau (double bass), Paul Dean (clarinet) and Saleem
Abboud Ashkar (piano).
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Trout Quintet & Quartet for the End of Time
|

A rare treat. Two of what White Hat regards as the finest works in the chamber
music repetoire presented in the one concert. The Schubert
Trout Quintet is full of sunshine
and youthful optimism while Messiaen's
Quartet for the
End of Time is, in White Hat's opinion, one of the great works of the
20th century. A prisoner of war, Messiaen wrote the Quartet for the End of Time for the
musicians he found in the camp, premiering it to an audience of inmates and
guards. “Never” he said, "was I listened to with such rapt attention and
comprehension."
Australian
Chamber Orchestra Principals are joined by clarinettist Paul Dean and
dynamic young pianist Saleem Abboud Ashkar, making his Australian debut.The
performers are Helena Rathbone (violin), Christopher Moore (viola), Timo-Veikko
Valve (cello), Maxime Bibeau (double bass), Paul Dean (clarinet) and Saleem
Abboud Ashkar (piano).
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7pm 14 July; 8pm, 17 July; 7pm, 18 July 2012 |
City Recital Hall Angel Place, Sydney
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Buy tickets direct from ACO
here |
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|
 |
Trout Quintet & Quartet for the End of Time
|

A rare treat. Two of what White Hat regards as the finest works in the chamber
music repetoire presented in the one concert. The Schubert
Trout Quintet is full of sunshine
and youthful optimism while Messiaen's
Quartet for the
End of Time is, in White Hat's opinion, one of the great works of the
20th century. A prisoner of war, Messiaen wrote the Quartet for the End of Time for the
musicians he found in the camp, premiering it to an audience of inmates and
guards. “Never” he said, "was I listened to with such rapt attention and
comprehension."
Australian
Chamber Orchestra Principals are joined by clarinettist Paul Dean and
dynamic young pianist Saleem Abboud Ashkar, making his Australian debut.The
performers are Helena Rathbone (violin), Christopher Moore (viola), Timo-Veikko
Valve (cello), Maxime Bibeau (double bass), Paul Dean (clarinet) and Saleem
Abboud Ashkar (piano).
|
|
|
|
 |
Trout Quintet & Quartet for the End of Time
|

A rare treat. Two of what White Hat regards as the finest works in the chamber
music repetoire presented in the one concert. The Schubert
Trout Quintet is full of sunshine
and youthful optimism while Messiaen's
Quartet for the
End of Time is, in White Hat's opinion, one of the great works of the
20th century. A prisoner of war, Messiaen wrote the Quartet for the End of Time for the
musicians he found in the camp, premiering it to an audience of inmates and
guards. “Never” he said, "was I listened to with such rapt attention and
comprehension."
Australian
Chamber Orchestra Principals are joined by clarinettist Paul Dean and
dynamic young pianist Saleem Abboud Ashkar, making his Australian debut.The
performers are Helena Rathbone (violin), Christopher Moore (viola), Timo-Veikko
Valve (cello), Maxime Bibeau (double bass), Paul Dean (clarinet) and Saleem
Abboud Ashkar (piano).
|
|
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|
 |
Trout Quintet & Quartet for the End of Time
|

A rare treat. Two of what White Hat regards as the finest works in the chamber
music repetoire presented in the one concert. The Schubert
Trout Quintet is full of sunshine
and youthful optimism while Messiaen's
Quartet for the
End of Time is, in White Hat's opinion, one of the great works of the
20th century. A prisoner of war, Messiaen wrote the Quartet for the End of Time for the
musicians he found in the camp, premiering it to an audience of inmates and
guards. “Never” he said, "was I listened to with such rapt attention and
comprehension."
Australian
Chamber Orchestra Principals are joined by clarinettist Paul Dean and
dynamic young pianist Saleem Abboud Ashkar, making his Australian debut.The
performers are Helena Rathbone (violin), Christopher Moore (viola), Timo-Veikko
Valve (cello), Maxime Bibeau (double bass), Paul Dean (clarinet) and Saleem
Abboud Ashkar (piano).
|
|
8pm, Saturday 21st July 2012 |
Llewellyn Hall, ANU, Canberra
-
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Buy tickets direct from ACO
here |
|
|
 |
Amarcord
|
|
White Hat suggests that if you want to become a world class a capella ensemble,
a good tsarting point is growing up singing Bach as boy sopranos in the Leipzig
church where Bach himself presided. Since that time Amacord have gone on to be
regarded as one of the finest male vocal ensembles in the world.
The Singing Club – Four Centuries of Song Renaissance madrigals, part-songs
by Schubert,
Schumann,
Elgar,
Dvorák,
Grieg and others, alongside folk songs
from around the world. |
|
2pm, Saturday 21st July 2012 |
City Recital Hall, Angel
Place, Sydney
-
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|
Enquiries & bookings: 1800 688 482 |
|
|
 |
Amarcord
|
|
White Hat suggests that if you want to become a world class a capella ensemble,
a good tsarting point is growing up singing Bach as boy sopranos in the Leipzig
church where Bach himself presided. Since that time Amacord have gone on to be
regarded as one of the finest male vocal ensembles in the world.
The Singing Club – Four Centuries of Song Renaissance madrigals, part-songs
by Schubert,
Schumann,
Elgar,
Dvorák,
Grieg and others, alongside folk songs
from around the world. |
|
7pm, Tuesday 24th July 2012 |
Llewellyn Hall, ANU
School of Music, Canberra
-
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|
|
Enquiries & bookings: 1800 688 482 |
|
|
 |
Amarcord
|
White
Hat suggests that if you love unaccompanied singing you take several weeks off
work and visit "a cappella" - the annual international festival of
unaccompanied vocal music in Leipzig - where you will hear great a cappella
ensembles from around the world. If you don't have that time or cash to spare, a
much cheaper but highly satisfying option is to head along to this concert
performed by the ensemble who initiated the festival and who are recognised as
one of the finest male vocal ensembles in the world.
Tales of Love and Murder. Renaissance madrigals by Encina,
des Prez,
Lassus,
Gesualdo and others, and
part-songs by Saint-Saëns,
Schubert,
Mendelssohn,
Poulenc, and folk songs from
around the world. |
|
7.30pm, Saturday 28th July 2012 |
Harold Lobb Concert Hall,
Newcastle Conservatorium of Music, Newcastle
-
|
|
|
Enquiries & bookings: 1800 688 482 |
|
|
 |
Amarcord
|
White
Hat suggests that if you love unaccompanied singing you take several weeks off
work and visit "a cappella" - the annual international festival of
unaccompanied vocal music in Leipzig - where you will hear great a cappella
ensembles from around the world. If you don't have that time or cash to spare, a
much cheaper but highly satisfying option is to head along to this concert
performed by the ensemble who initiated the festival and who are recognised as
one of the finest male vocal ensembles in the world.
Tales of Love and Murder. Renaissance madrigals by Encina,
des Prez,
Lassus,
Gesualdo and others, and
part-songs by Saint-Saëns,
Schubert,
Mendelssohn,
Poulenc, and folk songs from
around the world. |
|
7pm, Monday 30th July 2012 |
City Recital Hall, Angel
Place, Sydney
-
|
|
|
Enquiries & bookings: 1800 688 482 |
|
|
 |
Australian Brandenburg Orchestra - Dazzling Virtuoso
|
Most people know of the surprising loud chord in Haydn's Surprise Symphony.
White Hat suggests that fewer people realise how surprising the opening three
notes by the soloist of Haydn's trumpet concerto were at the time. The
natural trumpet had
already become an accepted part of larger Baroque orchestras but, just like a
bugle, it could basically play fanfares - melodies only being possible at the
top of its range. By the end of the 18th century a
keyed trumpet had been
created to overcome this limitation. It was for this keyed trumpet and the same
particularly skilled player that both Haydn and Hummel wrote their trumpet
concertos. Hummel introduces the trumpet with a suitable fanfare flourish but
Haydn creates the real surprise by having the trumpet play the first three notes
of the major scale in the middle of its range. To see why this was such a
surprise go to The
White Hat Guide to Haydn's Trumpet Concerto.
The keyed trumpet never found widespread use in the orchestra and was
eventually replaced by the
valve trumpet. However Gabriele Cassone from Italy has become a
skilled performer on the keyed trumpet so when he joins with the
Australian
Brandenburg Orchestra (Artistic Director Paul Dyer) you know you are in for
a truly surprising concert.
7pm Wed 25th & Fri 27th July , Wed 1st , Fri 3rd & Sat 4th
Aug; 2pm Sat 2nd Aug 2012 |
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Beethoven 9 - Ode to Joy
|

The Australian
Chamber Orchestra with Richard Tognetti (Artistic Director
and Lead Violin), Choir of Clare College, Cambridge (Graham Ross
Director), Lucy Crowe (soprano), Fiona Campbell (mezzo soprano),
Allan Clayton (tenor) Matthew Brook (bass)
White Hat has long believed that many modern performance of Beethoven
symphonies by large symphony orchestras lack the vitality and drive of a
performance by a first rate chamber orchestra - supplemented where necessary -
of the proportions that Beethoven was writing for For those who share this view
we suggest you look no further. Critics called the ACO's recent Beethoven
concert in London “the finest concert of the summer” and spoke of
“thrilling playing”, “vibrant drive” and “total involvement”,
concluding, “this compact chamber orchestra matches anything Europe can offer
in energy, precision and interpretative rigour.”
Joined by one of the finest British choirs this concert promises to be
something special where every note Beethoven wrote can be heard rather than lost
in a sea of overblown orchestral 'atmosphere'.
|
|
8pm, Saturday 4th August 2012 |
Llewellyn Hall, ANU, Canberra
-
|
|
|
Buy tickets direct from ACO
here |
|
|
 |
Beethoven 9 - Ode to Joy
|

The Australian
Chamber Orchestra with Richard Tognetti (Artistic Director
and Lead Violin), Choir of Clare College, Cambridge (Graham Ross
Director), Lucy Crowe (soprano), Fiona Campbell (mezzo soprano),
Allan Clayton (tenor) Matthew Brook (bass)
White Hat has long believed that many modern performance of Beethoven
symphonies by large symphony orchestras lack the vitality and drive of a
performance by a first rate chamber orchestra - supplemented where necessary -
of the proportions that Beethoven was writing for For those who share this view
we suggest you look no further. Critics called the ACO's recent Beethoven
concert in London “the finest concert of the summer” and spoke of
“thrilling playing”, “vibrant drive” and “total involvement”,
concluding, “this compact chamber orchestra matches anything Europe can offer
in energy, precision and interpretative rigour.”
Joined by one of the finest British choirs this concert promises to be
something special where every note Beethoven wrote can be heard rather than lost
in a sea of overblown orchestral 'atmosphere'.
|
|
|
|
 |
Beethoven 9 - Ode to Joy
|

The Australian
Chamber Orchestra with Richard Tognetti (Artistic Director
and Lead Violin), Choir of Clare College, Cambridge (Graham Ross
Director), Lucy Crowe (soprano), Fiona Campbell (mezzo soprano),
Allan Clayton (tenor) Matthew Brook (bass)
White Hat has long believed that many modern performance of Beethoven
symphonies by large symphony orchestras lack the vitality and drive of a
performance by a first rate chamber orchestra - supplemented where necessary -
of the proportions that Beethoven was writing for For those who share this view
we suggest you look no further. Critics called the ACO's recent Beethoven
concert in London “the finest concert of the summer” and spoke of
“thrilling playing”, “vibrant drive” and “total involvement”,
concluding, “this compact chamber orchestra matches anything Europe can offer
in energy, precision and interpretative rigour.”
Joined by one of the finest British choirs this concert promises to be
something special where every note Beethoven wrote can be heard rather than lost
in a sea of overblown orchestral 'atmosphere'.
|
|
8pm, 7 Aug; 7pm, 8 Aug; 7pm 11 Aug 2012 |
City Recital Hall Angel Place, Sydney
-
|
|
|
Buy tickets direct from ACO
here |
|
|
 |
Kuss Quartet & Naoko Smizu
|
The
Kuss Quartet is a regular at Carnegie and Wigmore Halls and Shimizu was the
first female Principal Viola of the Berlin Philharmonic so this concert promises
to deliver string quintet playing of the highest level
- Gordon Kerry String Quintet (2012)
- Bedrich Smetana
String Quartet no 2 in D minor (c 1882-3)
- György Kurtag Officium Breve in Memoriam Andreae Szervánszky,
op 28
- Wolfgang Amadeus Mozart
String Quintet no 3 in C major, K515
|
|
7pm, Monday 17th September 2012 |
City Recital Hall, Angel
Place, Sydney
-
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Enquiries & bookings: 1800 688 482 |
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Monteverdi's L'Orfeo
|
In
the early 17th century, Claudio
Monteverdi was one of of a handful of Italian composers pioneering a new
form of music drama which we know now as opera. His
L'Orfeo is one of the earliest
operas ever written and , in White Hat's opinion, still one of the best. It
calls on the full palette of the Renaissance orchestra as well as the virtuoso
vocal techniques of the time. This performance presents one of the rare
opportunities to hear it in Australia performed with period instruments. Markus
Brutscher fro will perform m Germany) Orfeo with international and
Australian guest artists and the
Australian
Brandenburg Orchestra (Artistic Director and conductor Paul Dyer)
7pm, Wed 19th, Thu 20th, Fri 21st, Tues 25th & Wed 26th
September 2012 |
|
|
|
 |
Kuss Quartet & Naoko Smizu
|
|
The Kuss Quartet is a regular at Carnegie and Wigmore Halls and Shimizu was
the first female Principal Viola of the Berlin Philharmonic so this concert
promises to deliver string quintet playing of the highest level.
- Gordon Kerry String Quintet (2012)
- Wolfgang Amadeus Mozart
String Quartet no 21 in D major, KV575
- György Kurtag Officium Breve in Memoriam Andreae Szervánszky,
op 28
- Johannes Brahms
String Quintet no 2 in G major, op 111
|
|
7pm, Thursday 20th September 2012 |
Llewellyn Hall, ANU
School of Music, Canberra
-
|
|
|
Enquiries & bookings: 1800 688 482 |
|
|
 |
Kuss Quartet & Naoko Smizu
|
The
Kuss Quartet is a regular at Carnegie and Wigmore Halls and Shimizu was the
first female Principal Viola of the Berlin Philharmonic so this concert promises
to deliver string quintet playing of the highest level
- Gordon Kerry String Quintet (2012)
- Bedrich Smetana
String Quartet no 2 in D minor (c 1882-3)
- György Kurtag Officium Breve in Memoriam Andreae Szervánszky,
op 28
- Wolfgang Amadeus Mozart
String Quintet no 3 in C major, K515
|
|
7.30pm, Thursday 27th September 2012 |
Harold Lobb Concert Hall,
Newcastle Conservatorium of Music, Newcastle
-
|
|
|
Enquiries & bookings: 1800 688 482 |
|
|
 |
Kuss Quartet & Naoko Smizu
|
|
The Kuss Quartet is a regular at Carnegie and Wigmore Halls and Shimizu was
the first female Principal Viola of the Berlin Philharmonic so this concert
promises to deliver string quintet playing of the highest level.
- Gordon Kerry String Quintet (2012)
- Wolfgang Amadeus Mozart
String Quartet no 21 in D major, KV575
- György Kurtag Officium Breve in Memoriam Andreae Szervánszky,
op 28
- Johannes Brahms
String Quintet no 2 in G major, op 111
|
|
2pm, Saturday 29th September 2012 |
City Recital Hall, Angel
Place, Sydney
-
|
|
|
Enquiries & bookings: 1800 688 482 |
|
|
 |
Mozart, Handel & Vivaldi Concertos
|
The Australian Chamber Orchestra with Richard Egarr (Guest Director, Harpsichord, Fortepiano)
and Satu Vänskä (Lead Violin)
Keyboard players, conductor, historian, and director of the Academy of Ancient Music, Richard Egarr directs this concert from the harpsichord
and performs Mozart's delightful Piano Concerto No.12 on the fortepiano. White
Hat suggests you take the opportunity to hear the difference it make to have a
Mozart concerto played on the fortepiano rather than an overblown concert grand. Satu Vänskä is soloist in a Vivaldi concerto on the
ACO's
Stradivarius violin.
- Corelli
Concerto Grosso, Op.6 No.1
- Castello Two Sonatas, “per stromenti d’arco”
- Biber Battalia
- Vivaldi Violin
Concerto, RV190
- Mozart Piano
Concerto No.12
- Handel Concerto
Grosso, Op.6 No.1
|
|
8pm, Saturday 6th October 2012 |
Llewellyn Hall, ANU, Canberra
-
|
|
|
Buy tickets direct from ACO
here |
|
|
 |
Mozart, Handel & Vivaldi Concertos
|
The Australian Chamber Orchestra with Richard Egarr (Guest Director, Harpsichord, Fortepiano)
and Satu Vänskä (Lead Violin)
Keyboard players, conductor, historian, and director of the Academy of Ancient Music, Richard Egarr directs this concert from the harpsichord
and performs Mozart's delightful Piano Concerto No.12 on the fortepiano. White
Hat suggests you take the opportunity to hear the difference it make to have a
Mozart concerto played on the fortepiano rather than an overblown concert grand. Satu Vänskä is soloist in a Vivaldi concerto on the
ACO's
Stradivarius violin.
- Corelli
Concerto Grosso, Op.6 No.1
- Castello Two Sonatas, “per stromenti d’arco”
- Biber Battalia
- Vivaldi Violin
Concerto, RV190
- Mozart Piano
Concerto No.12
- Handel Concerto
Grosso, Op.6 No.1
|
|
|
|
 |
Mozart, Handel & Vivaldi Concertos
|
The Australian Chamber Orchestra with Richard Egarr (Guest Director, Harpsichord, Fortepiano)
and Satu Vänskä (Lead Violin)
Keyboard players, conductor, historian, and director of the Academy of Ancient Music, Richard Egarr directs this concert from the harpsichord
and performs Mozart's delightful Piano Concerto No.12 on the fortepiano. White
Hat suggests you take the opportunity to hear the difference it make to have a
Mozart concerto played on the fortepiano rather than an overblown concert grand. Satu Vänskä is soloist in a Vivaldi concerto on the
ACO's
Stradivarius violin.
- Corelli
Concerto Grosso, Op.6 No.1
- Castello Two Sonatas, “per stromenti d’arco”
- Biber Battalia
- Vivaldi Violin
Concerto, RV190
- Mozart Piano
Concerto No.12
- Handel Concerto
Grosso, Op.6 No.1
|
|
|
|
 |
Mozart, Handel & Vivaldi Concertos
|
The Australian Chamber Orchestra with Richard Egarr (Guest Director, Harpsichord, Fortepiano)
and Satu Vänskä (Lead Violin)
Keyboard players, conductor, historian, and director of the Academy of Ancient Music, Richard Egarr directs this concert from the harpsichord
and performs Mozart's delightful Piano Concerto No.12 on the fortepiano. White
Hat suggests you take the opportunity to hear the difference it make to have a
Mozart concerto played on the fortepiano rather than an overblown concert grand. Satu Vänskä is soloist in a Vivaldi concerto on the
ACO's
Stradivarius violin.
- Corelli
Concerto Grosso, Op.6 No.1
- Castello Two Sonatas, “per stromenti d’arco”
- Biber Battalia
- Vivaldi Violin
Concerto, RV190
- Mozart Piano
Concerto No.12
- Handel Concerto
Grosso, Op.6 No.1
|
|
7pm 13 Oct; 8pm 16 Oct; 7pm 17 Oct 2012 |
City Recital Hall Angel Place, Sydney
-
|
|
|
Buy tickets direct from ACO
here |
|
|
 |
Mozart, Handel & Vivaldi Concertos
|
The Australian Chamber Orchestra with Richard Egarr (Guest Director, Harpsichord, Fortepiano)
and Satu Vänskä (Lead Violin)
Keyboard players, conductor, historian, and director of the Academy of Ancient Music, Richard Egarr directs this concert from the harpsichord
and performs Mozart's delightful Piano Concerto No.12 on the fortepiano. White
Hat suggests you take the opportunity to hear the difference it make to have a
Mozart concerto played on the fortepiano rather than an overblown concert grand. Satu Vänskä is soloist in a Vivaldi concerto on the
ACO's
Stradivarius violin.
- Corelli
Concerto Grosso, Op.6 No.1
- Castello Two Sonatas, “per stromenti d’arco”
- Biber Battalia
- Vivaldi Violin
Concerto, RV190
- Mozart Piano
Concerto No.12
- Handel Concerto
Grosso, Op.6 No.1
|
|
|
|
 |
Anthony Marwood and Aleksandar Madžar
|
Beethoven's Kreutzer
Sonata is justifiably well-known and loved as one of the great works of
the violin sonata repertoire. However White Hat believes that
Debussy's Violin
Sonata, the last work he completed and the last that he performed in
public, is yet to be afforded the status it deserves by the public. This fine
pair of instrumentalists are sure to do them both justice.
|
|
7.30pm, Saturday 3rd November 2012 |
Harold Lobb Concert Hall,
Newcastle Conservatorium of Music, Newcastle
-
|
|
|
Enquiries & bookings: 1800 688 482 |
|
|
 |
Anthony Marwood and Aleksandar Madžar
|
Beethoven's Kreutzer
Sonata is justifiably well-known and loved as one of the great works of
the violin sonata repertoire. However White Hat believes that
Debussy's Violin
Sonata, the last work he completed and the last that he performed in
public, is yet to be afforded the status it deserves by the public. This fine
pair of instrumentalists are sure to do them both justice.
|
|
7pm Mon 5th Nov & 2pm Sat 10th Nov 2012 |
City Recital Hall, Angel
Place, Sydney
-
|
|
|
Enquiries & bookings: 1800 688 482 |
|
|
 |
Anthony Marwood and Aleksandar Madžar
|
Beethoven's Kreutzer
Sonata is justifiably well-known and loved as one of the great works of
the violin sonata repertoire. However White Hat believes that
Debussy's Violin
Sonata, the last work he completed and the last that he performed in
public, is yet to be afforded the status it deserves by the public. This fine
pair of instrumentalists are sure to do them both justice.
|
|
7pm, Thursday 8th November 2012 |
Llewellyn Hall, ANU
School of Music, Canberra
-
|
|
|
Enquiries & bookings: 1800 688 482 |
|
|
 |
Anthony Marwood and Aleksandar Madžar
|
Beethoven's Kreutzer
Sonata is justifiably well-known and loved as one of the great works of
the violin sonata repertoire. However White Hat believes that
Debussy's Violin
Sonata, the last work he completed and the last that he performed in
public, is yet to be afforded the status it deserves by the public. This fine
pair of instrumentalists are sure to do them both justice.
|
|
7pm, Thursday 8th November 2012 |
Llewellyn Hall, ANU
School of Music, Canberra<
-
|
|
|
Enquiries & bookings: 1800 688 482 |
|
|
 |
Anthony Marwood and Aleksandar Madžar
|
Beethoven's Kreutzer
Sonata is justifiably well-known and loved as one of the great works of
the violin sonata repertoire. However White Hat believes that
Debussy's Violin
Sonata, the last work he completed and the last that he performed in
public, is yet to be afforded the status it deserves by the public. This fine
pair of instrumentalists are sure to do them both justice.
|
|
|
Llewellyn Hall, ANU
School of Music, Canberra<
-
|
|
|
Enquiries & bookings: 1800 688 482 |
|
|
 |
Russian Visions
|
The
Australian Chamber Orchestra with
Richard Tognetti (Artistic Director and Lead Violin),
Steven Osborne
(piano) and David
Elton (trumpet).
Tchaikovsky’s Souvenir is one of his sunniest and most exuberant works
and Shostakovich's first piano concerto is full of pyrotechnics for the pianist
and accompanying trumpet. What is sometimes less recognised is that this work
calls for first rate string playing from the orchestra. For that reason, White
Hat suggests you take the opportunity to get along and hear it with one of the
best string ensembles in Australia - or any other country for that matter.
|
|
8pm, Saturday 10th November 2012 |
Llewellyn Hall, ANU, Canberra
-
|
|
|
Buy tickets direct from ACO
here |
|
|
 |
Russian Visions
|
The
Australian Chamber Orchestra with
Richard Tognetti (Artistic Director and Lead Violin),
Steven Osborne
(piano) and David
Elton (trumpet).
Tchaikovsky’s Souvenir is one of his sunniest and most exuberant works
and Shostakovich's first piano concerto is full of pyrotechnics for the pianist
and accompanying trumpet. What is sometimes less recognised is that this work
calls for first rate string playing from the orchestra. For that reason, White
Hat suggests you take the opportunity to get along and hear it with one of the
best string ensembles in Australia - or any other country for that matter.
|
|
7pm 17 Nov; 8pm 20 Nov; 7pm 21 Nov 2012 |
City Recital Hall Angel Place, Sydney
-
|
|
|
Buy tickets direct from ACO
here |
|
|
 |
Russian Visions
|
The
Australian Chamber Orchestra with
Richard Tognetti (Artistic Director and Lead Violin),
Steven Osborne
(piano) and David
Elton (trumpet).
Tchaikovsky’s Souvenir is one of his sunniest and most exuberant works
and Shostakovich's first piano concerto is full of pyrotechnics for the pianist
and accompanying trumpet. What is sometimes less recognised is that this work
calls for first rate string playing from the orchestra. For that reason, White
Hat suggests you take the opportunity to get along and hear it with one of the
best string ensembles in Australia - or any other country for that matter.
|
|
|
|
 |
Russian Visions
|
The
Australian Chamber Orchestra with
Richard Tognetti (Artistic Director and Lead Violin),
Steven Osborne
(piano) and David
Elton (trumpet).
Tchaikovsky’s Souvenir is one of his sunniest and most exuberant works
and Shostakovich's first piano concerto is full of pyrotechnics for the pianist
and accompanying trumpet. What is sometimes less recognised is that this work
calls for first rate string playing from the orchestra. For that reason, White
Hat suggests you take the opportunity to get along and hear it with one of the
best string ensembles in Australia - or any other country for that matter.
|
|
|
|
Click on the chosen venue link to the right of the map. Use the controls to zoom in or out on the map or change to satellite view.
Forthcoming EventsThese events are ones which have run in the past and we expect to run in the future. As yet we do not have confirmed details, dates and contact details. | | These events are ones which have run in the past and we expect to run in the future. As yet we do not have confirmed details, dates and contact details. |
| Page last updated: | 25 August, 2011 | | URL:
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