The White Hat Guide to Classical Music in Sydney & NSW

Sydney Moonlight Cinema - Don Giovanni

Chopin & Mendelssohn's Octet

The Australian Chamber Orchestra with Richard Tognetti (Artistic Director and Lead Violin) and Polina Leschenko (piano).  The orchestras three wonderful heritage violins – a Stradivari, a Guarneri and a Guadagnini - will display their wares in the Paganini caprices. Chopin's first piano concerto is a much loved work full of romantic lyricism and although Górecki is best known for his haunting and heartfelt Symphony of Sorrowful Songs, his Piano Concerto bristles with driving rhythms and energy. The concert ends with one of the glories of chamber music - Mendelssohn's Octet. In White Hat's experience ACO's performance of this work is the equal of any performance you are likely to hear anywhere else in the world.

• Paganini (arr. Tognetti) Caprice on Caprices
• Morricone Exercises I: Adagio
• Chopin (arr. Tognetti) Piano Concerto No.1
• Górecki Piano Concerto
• Mendelssohn Octet (one of White Hat's Top 100 Chamber Works)

Chopin & Mendelssohn's Octet

The Australian Chamber Orchestra with Richard Tognetti (Artistic Director and Lead Violin) and Polina Leschenko (piano).  The orchestras three wonderful heritage violins – a Stradivari, a Guarneri and a Guadagnini - will display their wares in the Paganini caprices. Chopin's first piano concerto is a much loved work full of romantic lyricism and although Górecki is best known for his haunting and heartfelt Symphony of Sorrowful Songs, his Piano Concerto bristles with driving rhythms and energy. The concert ends with one of the glories of chamber music - Mendelssohn's Octet. In White Hat's experience ACO's performance of this work is the equal of any performance you are likely to hear anywhere else in the world.

• Paganini (arr. Tognetti) Caprice on Caprices
• Morricone Exercises I: Adagio
• Chopin (arr. Tognetti) Piano Concerto No.1
• Górecki Piano Concerto
• Mendelssohn Octet (one of White Hat's Top 100 Chamber Works)

Chopin & Mendelssohn's Octet

The Australian Chamber Orchestra with Richard Tognetti (Artistic Director and Lead Violin) and Polina Leschenko (piano).  The orchestras three wonderful heritage violins – a Stradivari, a Guarneri and a Guadagnini - will display their wares in the Paganini caprices. Chopin's first piano concerto is a much loved work full of romantic lyricism and although Górecki is best known for his haunting and heartfelt Symphony of Sorrowful Songs, his Piano Concerto bristles with driving rhythms and energy. The concert ends with one of the glories of chamber music - Mendelssohn's Octet. In White Hat's experience ACO's performance of this work is the equal of any performance you are likely to hear anywhere else in the world.

• Paganini (arr. Tognetti) Caprice on Caprices
• Morricone Exercises I: Adagio
• Chopin (arr. Tognetti) Piano Concerto No.1
• Górecki Piano Concerto
• Mendelssohn Octet (one of White Hat's Top 100 Chamber Works)

Chopin & Mendelssohn's Octet

The Australian Chamber Orchestra with Richard Tognetti (Artistic Director and Lead Violin) and Polina Leschenko (piano).  The orchestras three wonderful heritage violins – a Stradivari, a Guarneri and a Guadagnini - will display their wares in the Paganini caprices. Chopin's first piano concerto is a much loved work full of romantic lyricism and although Górecki is best known for his haunting and heartfelt Symphony of Sorrowful Songs, his Piano Concerto bristles with driving rhythms and energy. The concert ends with one of the glories of chamber music - Mendelssohn's Octet. In White Hat's experience ACO's performance of this work is the equal of any performance you are likely to hear anywhere else in the world.

• Paganini (arr. Tognetti) Caprice on Caprices
• Morricone Exercises I: Adagio
• Chopin (arr. Tognetti) Piano Concerto No.1
• Górecki Piano Concerto
• Mendelssohn Octet (one of White Hat's Top 100 Chamber Works)

Australian Brandenburg Orchestra - Venice Secrets

• Vivaldi Ciaccona from Concerto for Strings in C major RV 114
• Vivaldi Concerto for several instruments in G minor RV 576
• Vivaldi Concerto for several instruments in F major RV 572, Il Proteo
• Vivaldi Concerto for several instruments in D major RV 562
• Vivaldi Concerto for several instruments in F major RV 574
• Vivaldi Concerto for two violins and two cellos RV 564
• Vivaldi Concerto for several instruments in G minor RV 577

7pm Wed 22, Fri 24 & Wed 29 Feb, Fri 2 & Sat 3 March 2012; and 2pm Sat 3 March 2012, City Recital Hall, Angel Place, Sydney

Tafelmusik - The Galileo Project Music of the Spheres

Canadian ensemble Tafelmusik will take you on an epic space odyssey, performing period music before stunning images from the Hubble deep space telescope. Combining music, photography and story-telling, The Galileo Project brings to life the brilliant minds of the early astronomers and the music that inspired them, as a large-scale, ever-changing backdrop of stars and planets unfolds.

The publicity states "Using the best of Bach, Handel, Monteverdi and Vivaldi, come and hear the tunes that were probably stuck in Galileo’s head when he discovered the moons of Jupiter." Now you are probably thinking, like White Hat how could tunes of composers who hadn't been born yet be stuck in his head. However we are sure that this program has been meticulously researched so all will be revealed. The program will also feature works by Lully, Purcell, Rameau, Telemann & Michelangelo Galilei brother of the astronomer). From the reputation of the group and the reviews of this concert, White Hat suggests you go out of your way to attend.

[For those wanting a little background to the history of the concept that over the centuries was known as The Music of the Spheres, White Hat suggests that you consult the program notes of Music of the Spheres - given by Ars Nova of Melbourne. This concert is unrelated to the one above but was also based on the relationship composers, mathematicians and scientists long saw between music, mathematics and the heavenly bodies.]

Tafelmusik - The Galileo Project Music of the Spheres

Canadian ensemble Tafelmusik will take you on an epic space odyssey, performing period music before stunning images from the Hubble deep space telescope. Combining music, photography and story-telling, The Galileo Project brings to life the brilliant minds of the early astronomers and the music that inspired them, as a large-scale, ever-changing backdrop of stars and planets unfolds.

The publicity states "Using the best of Bach, Handel, Monteverdi and Vivaldi, come and hear the tunes that were probably stuck in Galileo’s head when he discovered the moons of Jupiter." Now you are probably thinking, like White Hat how could tunes of composers who hadn't been born yet be stuck in his head. However we are sure that this program has been meticulously researched so all will be revealed. The program will also feature works by Lully, Purcell, Rameau, Telemann & Michelangelo Galilei brother of the astronomer). From the reputation of the group and the reviews of this concert, White Hat suggests you go out of your way to attend.

[For those wanting a little background to the history of the concept that over the centuries was known as The Music of the Spheres, White Hat suggests that you consult the program notes of Music of the Spheres - given by Ars Nova of Melbourne. This concert is unrelated to the one above but was also based on the relationship composers, mathematicians and scientists long saw between music, mathematics and the heavenly bodies.]

Australian Chamber Orchestra & The Hilliard Ensemble

• Elgar Serenade for strings
• Sheryngham Ah, gentle Jesu
• Raskatov Obikhod (Australian Premiere)
• Pärt Most Holy Mother of God
• Gregorian Chant Veni Creator Spiritus
• Anon (French Medieval) Veni Creator Spiritus
• Edwards Veni Creator Spiritus
• Arensky Variations on a theme by Tchaikovsky

Australian Chamber Orchestra & The Hilliard Ensemble

• Elgar Serenade for strings
• Sheryngham Ah, gentle Jesu
• Raskatov Obikhod (Australian Premiere)
• Pärt Most Holy Mother of God
• Gregorian Chant Veni Creator Spiritus
• Anon (French Medieval) Veni Creator Spiritus
• Edwards Veni Creator Spiritus
• Arensky Variations on a theme by Tchaikovsky

Australian String Quartet - Towards Light

• Sculthorpe String Quartet No 11
• Dvořák String Quartet No 10 in E flat major, Op 51
• Shostakovich Piano Quintet, Op 57 (with Daniel de Borah, piano) (one of White Hat's Top 100 Chamber Works)

Our rating: Four Hats

Australian Chamber Orchestra & The Hilliard Ensemble

• Elgar Serenade for strings
• Sheryngham Ah, gentle Jesu
• Raskatov Obikhod (Australian Premiere)
• Pärt Most Holy Mother of God
• Gregorian Chant Veni Creator Spiritus
• Anon (French Medieval) Veni Creator Spiritus
• Edwards Veni Creator Spiritus
• Arensky Variations on a theme by Tchaikovsky

Australian Chamber Orchestra & The Hilliard Ensemble

• Elgar Serenade for strings
• Sheryngham Ah, gentle Jesu
• Raskatov Obikhod (Australian Premiere)
• Pärt Most Holy Mother of God
• Gregorian Chant Veni Creator Spiritus
• Anon (French Medieval) Veni Creator Spiritus
• Edwards Veni Creator Spiritus
• Arensky Variations on a theme by Tchaikovsky

St Lawrence String Quartet and Diana Doherty

• Joseph Haydn String Quartet in F minor, op 20 no 5
• Gordon Kerry Elegy for String Quartet (2007)
• Wolfgang Amadeus Mozart Oboe Quartet in F major, K370
• Ludwig van Beethoven String Quartet no 4 in C minor, op 18 no 4
• Matthew Hindson Rush for oboe and string quartet (2002)

St Lawrence String Quartet and Diana Doherty

• Joseph Haydn String Quartet in F minor, op 20 no 5
• Gordon Kerry Elegy for String Quartet (2007)
• Wolfgang Amadeus Mozart Oboe Quartet in F major, K370
• Ludwig van Beethoven String Quartet no 4 in C minor, op 18 no 4
• Matthew Hindson Rush for oboe and string quartet (2002)

St Lawrence String Quartet and Diana Doherty

• Joseph Haydn String Quartet in F minor, op 20 wno 5
• Gordon Kerry Elegy for String Quartet (2007)
• Wolfgang Amadeus Mozart Oboe Quartet in F major, K370 (one of White Hat's Top 100 Chamber Works)
• Antonín Dvorák String Quartet no 14 in A flat major, op 105
• Matthew Hindson Rush for oboe and string quartet (2002)

Australian Brandenburg Orchestra - Bach Eternal

• Bach Sinfonia from Cantata Wir danken dir, Gott BWV 29
• Bach Chorale 'Jesus bleibet meine Freude' ('Jesu joy of man's desiring') from Cantata Herz und Mund und Tat und Leben
• Bach Orchestral Suite No.1 in C major BWV 1066
• Bach Opening chorus from Cantata Unser Mund sei voll Lachens BWV 110
• Bach Kyrie from Missa Sancti Josephi ZWV 14
• Zelenka Concerto for two horns in D major TWV: 52: D1
• Handel Coronation Anthem No. 2 My heart is inditing HWV 259
• Handel Coronation Anthem No. 4 Let thy hand be strengthened HWV 261

7pm Wed 9, Fri 11, Wed 16, Fri 18, Sat 19 May; 2pm Sat 19 May 2012, City Recital Hall, Angel Place, Sydney

Trio Dali

The young and glamorous French trio are named after a Chinese marble, rather than the Spanish artist. With two of the great works from the piano trio repertoire, White Hat suspects this may turn out to be a memorable concert.

• Gordon Kerry Im Winde (2000)
• Maurice Ravel Piano Trio in A minor (1914) (one of White Hat's Top 100 Chamber Works)
• Franz Schubert Piano Trio no 2 in E flat major, op 100 (one of White Hat's Top 100 Chamber Works)

Trio Dali

The young and glamorous French trio are named after a Chinese marble, rather than the Spanish artist. With two of the great works from the piano trio repertoire, White Hat suspects this may turn out to be a memorable concert.

• Gordon Kerry Im Winde (2000)
• Maurice Ravel Piano Trio in A minor (1914) (one of White Hat's Top 100 Chamber Works)
• Franz Schubert Piano Trio no 2 in E flat major, op 100 (one of White Hat's Top 100 Chamber Works)

Trio Dali

The young and glamorous French trio are named after a Chinese marble, rather than the Spanish artist. With two of the great works from the piano trio repertoire, White Hat suspects this may turn out to be a memorable concert.

• Gordon Kerry Im Winde (2000)
• Maurice Ravel Piano Trio in A minor (1914) (one of White Hat's Top 100 Chamber Works)
• Franz Schubert Piano Trio no 2 in E flat major, op 100 (one of White Hat's Top 100 Chamber Works)

Danielle de Niese with the Australian Chamber Orchestra

Danielle de Niese (soprano) has long been on White Hat's list of Significant Melbourne People. She was born in Melbourne and won Young Talent Time aged 9, then moved to Los Angeles, won an Emmy and made her debut with the LA Opera aged 15. She has blossomed into one of the hottest properties in opera, enrapturing audiences in roles like Cleopatra, Euridice and Susanna at Glyndebourne, the Metropolitan Opera and on screen.

To celebrate her professional debut in her home country, De Niese sings a specially commissioned Australian work, which also marks the centenary of Australia’s Nobel laureate Patrick White. The fireworks of Mozart's Exsultate jubilatee is contrasted Schubert's haunting song, Death and the Maiden. The Australian Chamber Orchestra (Richard Tognetti Artistic Director and Lead Violin) will then perform Schubert's masterly quartet (arranged for string orchestra) which uses that same song as an inspiration.

• Mozart Symphony K196/121, “La finta giardiniera”
• Vine New work (text by Patrick White)
• Meale Cantilena Pacifica
• Mozart Exsultate jubilate
• Schubert (arr. Tognetti) Death and the Maiden
• Schubert (arr. Tognetti) String Quartet No.14, “Death and the Maiden” (one of White Hat's Top 100 Chamber Works)

Australian String Quartet - Legacy

• Beethoven String Quartet in D, Op 18 No 3

• Brett Dean Epitaphs for Viola and String Quartet

• Brahms String Quintet in G, Op 111 (with Brett Dean, viola)

Danielle de Niese with the Australian Chamber Orchestra

Danielle de Niese (soprano) has long been on White Hat's list of Significant Melbourne People. She was born in Melbourne and won Young Talent Time aged 9, then moved to Los Angeles, won an Emmy and made her debut with the LA Opera aged 15. She has blossomed into one of the hottest properties in opera, enrapturing audiences in roles like Cleopatra, Euridice and Susanna at Glyndebourne, the Metropolitan Opera and on screen.

To celebrate her professional debut in her home country, De Niese sings a specially commissioned Australian work, which also marks the centenary of Australia’s Nobel laureate Patrick White. The fireworks of Mozart's Exsultate jubilatee is contrasted Schubert's haunting song, Death and the Maiden. The Australian Chamber Orchestra (Richard Tognetti Artistic Director and Lead Violin) will then perform Schubert's masterly quartet (arranged for string orchestra) which uses that same song as an inspiration.

• Mozart Symphony K196/121, “La finta giardiniera”
• Vine New work (text by Patrick White)
• Meale Cantilena Pacifica
• Mozart Exsultate jubilate
• Schubert (arr. Tognetti) Death and the Maiden
• Schubert (arr. Tognetti) String Quartet No.14, “Death and the Maiden” (one of White Hat's Top 100 Chamber Works)

Takács Quartet

White Hat expects that this may well be on of the standout chamber music concerts of the year in Australia. Debussy's delicate and atmospheric string quartet together with Janáček's passionate first quartet both played by the ensemble most acknowledge to be one of the finest string quartets in the world.

• Leoš Janáček String Quartet no 1, ‘Kreutzer’ (1923)
• Benjamin Britten String Quartet no 1 in D major, op 25
• Gordon Kerry Variations for string quartet (2006)
• Claude Debussy String Quartet in G minor, op 10

Danielle de Niese with the Australian Chamber Orchestra

Danielle de Niese (soprano) has long been on White Hat's list of Significant Melbourne People. She was born in Melbourne and won Young Talent Time aged 9, then moved to Los Angeles, won an Emmy and made her debut with the LA Opera aged 15. She has blossomed into one of the hottest properties in opera, enrapturing audiences in roles like Cleopatra, Euridice and Susanna at Glyndebourne, the Metropolitan Opera and on screen.

To celebrate her professional debut in her home country, De Niese sings a specially commissioned Australian work, which also marks the centenary of Australia’s Nobel laureate Patrick White. The fireworks of Mozart's Exsultate jubilatee is contrasted Schubert's haunting song, Death and the Maiden. The Australian Chamber Orchestra (Richard Tognetti Artistic Director and Lead Violin) will then perform Schubert's masterly quartet (arranged for string orchestra) which uses that same song as an inspiration.

• Mozart Symphony K196/121, “La finta giardiniera”
• Vine New work (text by Patrick White)
• Meale Cantilena Pacifica
• Mozart Exsultate jubilate
• Schubert (arr. Tognetti) Death and the Maiden
• Schubert (arr. Tognetti) String Quartet No.14, “Death and the Maiden” (one of White Hat's Top 100 Chamber Works)

Takács Quartet

Two of the finest string quartets of the 20th century performed by one of the world's most respected chamber groups. White Hat suggests that you attend both of the Takács Quartet concerts if you can. That way you can hear the pair pair of  Janáček quartets and the Ravel & Debussy Quartets (often regarded as a 'pair') both separated across tow nights - in our opinion the best way to hear them.

• Leoš Janáček String Quartet no 2, ‘Intimate Letters’ (1928) (one of White Hat's Top 100 Chamber Works)
• Benjamin Britten String Quartet no 3, op 94
• Gordon Kerry Variations for string quartet (2006)
• Maurice Ravel String Quartet in F major, op 34 (one of White Hat's Top 100 Chamber Works)

Takács Quartet

Two of the finest string quartets of the 20th century performed by one of the world's most respected chamber groups. White Hat suggests that you attend both of the Takács Quartet concerts if you can. That way you can hear the pair pair of  Janáček quartets and the Ravel & Debussy Quartets (often regarded as a 'pair') both separated across tow nights - in our opinion the best way to hear them.

• Leoš Janáček String Quartet no 2, ‘Intimate Letters’ (1928) (one of White Hat's Top 100 Chamber Works)
• Benjamin Britten String Quartet no 3, op 94
• Gordon Kerry Variations for string quartet (2006)
• Maurice Ravel String Quartet in F major, op 34 (one of White Hat's Top 100 Chamber Works)

Takács Quartet

Two of the finest string quartets of the 20th century performed by one of the world's most respected chamber groups. White Hat suggests that you attend both of the Takács Quartet concerts if you can. That way you can hear the pair pair of  Janáček quartets and the Ravel & Debussy Quartets (often regarded as a 'pair') both separated across tow nights - in our opinion the best way to hear them.

• Leoš Janáček String Quartet no 2, ‘Intimate Letters’ (1928) (one of White Hat's Top 100 Chamber Works)
• Benjamin Britten String Quartet no 3, op 94
• Gordon Kerry Variations for string quartet (2006)
• Maurice Ravel String Quartet in F major, op 34 (one of White Hat's Top 100 Chamber Works)

Trout Quintet & Quartet for the End of Time

A rare treat. Two of what White Hat regards as the finest works in the chamber music repetoire presented in the one concert. The Schubert Trout Quintet is full of sunshine and youthful optimism while Messiaen's Quartet for the End of Time is, in White Hat's opinion, one of the great works of the 20th century. A prisoner of war, Messiaen wrote the Quartet for the End of Time for the musicians he found in the camp, premiering it to an audience of inmates and guards. “Never” he said, "was I listened to with such rapt attention and comprehension."

Australian Chamber Orchestra Principals are joined by clarinettist Paul Dean and dynamic young pianist Saleem Abboud Ashkar, making his Australian debut.The performers are Helena Rathbone (violin), Christopher Moore (viola), Timo-Veikko Valve (cello), Maxime Bibeau (double bass), Paul Dean (clarinet) and Saleem Abboud Ashkar (piano).

• Schubert Piano Quintet, “Trout” (one of White Hat's Top 100 Chamber Works)
• Messiaen Quartet for the End of Time (one of White Hat's Top 100 Chamber Works)

Our rating: Five Hats

Trout Quintet & Quartet for the End of Time

A rare treat. Two of what White Hat regards as the finest works in the chamber music repetoire presented in the one concert. The Schubert Trout Quintet is full of sunshine and youthful optimism while Messiaen's Quartet for the End of Time is, in White Hat's opinion, one of the great works of the 20th century. A prisoner of war, Messiaen wrote the Quartet for the End of Time for the musicians he found in the camp, premiering it to an audience of inmates and guards. “Never” he said, "was I listened to with such rapt attention and comprehension."

Australian Chamber Orchestra Principals are joined by clarinettist Paul Dean and dynamic young pianist Saleem Abboud Ashkar, making his Australian debut.The performers are Helena Rathbone (violin), Christopher Moore (viola), Timo-Veikko Valve (cello), Maxime Bibeau (double bass), Paul Dean (clarinet) and Saleem Abboud Ashkar (piano).

• Schubert Piano Quintet, “Trout” (one of White Hat's Top 100 Chamber Works)
• Messiaen Quartet for the End of Time (one of White Hat's Top 100 Chamber Works)

Our rating: Five Hats

Trout Quintet & Quartet for the End of Time

A rare treat. Two of what White Hat regards as the finest works in the chamber music repetoire presented in the one concert. The Schubert Trout Quintet is full of sunshine and youthful optimism while Messiaen's Quartet for the End of Time is, in White Hat's opinion, one of the great works of the 20th century. A prisoner of war, Messiaen wrote the Quartet for the End of Time for the musicians he found in the camp, premiering it to an audience of inmates and guards. “Never” he said, "was I listened to with such rapt attention and comprehension."

Australian Chamber Orchestra Principals are joined by clarinettist Paul Dean and dynamic young pianist Saleem Abboud Ashkar, making his Australian debut.The performers are Helena Rathbone (violin), Christopher Moore (viola), Timo-Veikko Valve (cello), Maxime Bibeau (double bass), Paul Dean (clarinet) and Saleem Abboud Ashkar (piano).

• Schubert Piano Quintet, “Trout” (one of White Hat's Top 100 Chamber Works)
• Messiaen Quartet for the End of Time (one of White Hat's Top 100 Chamber Works)

Our rating: Five Hats

Trout Quintet & Quartet for the End of Time

A rare treat. Two of what White Hat regards as the finest works in the chamber music repetoire presented in the one concert. The Schubert Trout Quintet is full of sunshine and youthful optimism while Messiaen's Quartet for the End of Time is, in White Hat's opinion, one of the great works of the 20th century. A prisoner of war, Messiaen wrote the Quartet for the End of Time for the musicians he found in the camp, premiering it to an audience of inmates and guards. “Never” he said, "was I listened to with such rapt attention and comprehension."

Australian Chamber Orchestra Principals are joined by clarinettist Paul Dean and dynamic young pianist Saleem Abboud Ashkar, making his Australian debut.The performers are Helena Rathbone (violin), Christopher Moore (viola), Timo-Veikko Valve (cello), Maxime Bibeau (double bass), Paul Dean (clarinet) and Saleem Abboud Ashkar (piano).

• Schubert Piano Quintet, “Trout” (one of White Hat's Top 100 Chamber Works)
• Messiaen Quartet for the End of Time (one of White Hat's Top 100 Chamber Works)

Our rating: Five Hats

Trout Quintet & Quartet for the End of Time

A rare treat. Two of what White Hat regards as the finest works in the chamber music repetoire presented in the one concert. The Schubert Trout Quintet is full of sunshine and youthful optimism while Messiaen's Quartet for the End of Time is, in White Hat's opinion, one of the great works of the 20th century. A prisoner of war, Messiaen wrote the Quartet for the End of Time for the musicians he found in the camp, premiering it to an audience of inmates and guards. “Never” he said, "was I listened to with such rapt attention and comprehension."

Australian Chamber Orchestra Principals are joined by clarinettist Paul Dean and dynamic young pianist Saleem Abboud Ashkar, making his Australian debut.The performers are Helena Rathbone (violin), Christopher Moore (viola), Timo-Veikko Valve (cello), Maxime Bibeau (double bass), Paul Dean (clarinet) and Saleem Abboud Ashkar (piano).

• Schubert Piano Quintet, “Trout” (one of White Hat's Top 100 Chamber Works)
• Messiaen Quartet for the End of Time (one of White Hat's Top 100 Chamber Works)

Our rating: Five Hats

Amarcord

White Hat suggests that if you want to become a world class a capella ensemble, a good tsarting point is growing up singing Bach as boy sopranos in the Leipzig church where Bach himself presided. Since that time Amacord have gone on to be regarded as one of the finest male vocal ensembles in the world.

The Singing Club – Four Centuries of Song Renaissance madrigals, part-songs by Schubert, Schumann, Elgar, Dvorák, Grieg and others, alongside folk songs from around the world.

Amarcord

White Hat suggests that if you want to become a world class a capella ensemble, a good tsarting point is growing up singing Bach as boy sopranos in the Leipzig church where Bach himself presided. Since that time Amacord have gone on to be regarded as one of the finest male vocal ensembles in the world.

The Singing Club – Four Centuries of Song Renaissance madrigals, part-songs by Schubert, Schumann, Elgar, Dvorák, Grieg and others, alongside folk songs from around the world.

Amarcord

Tales of Love and Murder. Renaissance madrigals by Encina, des Prez, Lassus, Gesualdo and others, and part-songs by Saint-Saëns, Schubert, Mendelssohn, Poulenc, and folk songs from around the world.

Amarcord

Tales of Love and Murder. Renaissance madrigals by Encina, des Prez, Lassus, Gesualdo and others, and part-songs by Saint-Saëns, Schubert, Mendelssohn, Poulenc, and folk songs from around the world.

Australian Brandenburg Orchestra - Dazzling Virtuoso

The keyed trumpet never found widespread use in the orchestra and was eventually replaced by the valve trumpet. However Gabriele Cassone from Italy  has become a skilled performer on the keyed trumpet so when he joins with the Australian Brandenburg Orchestra (Artistic Director Paul Dyer) you know you are in for a truly surprising concert.

• Haydn Symphony No. 94 in G major 'Surprise'
• Haydn Concerto for trumpet in E flat major Hob. Vlle:1
• Gluck Larghetto and Chaconne from the ballet Don Juan
• Hummel Trumpet Concerto in E major

7pm Wed 25th & Fri 27th July , Wed 1st , Fri 3rd & Sat 4th Aug; 2pm Sat 2nd Aug 2012

Beethoven 9 - Ode to Joy

The Australian Chamber Orchestra with Richard Tognetti (Artistic Director and Lead Violin), Choir of Clare College, Cambridge (Graham Ross Director), Lucy Crowe (soprano), Fiona Campbell (mezzo soprano), Allan Clayton (tenor) Matthew Brook (bass)

White Hat has long believed that many modern performance of Beethoven symphonies by large symphony orchestras lack the vitality and drive of a performance by a first rate chamber orchestra - supplemented where necessary - of the proportions that Beethoven was writing for For those who share this view we suggest you look no further. Critics called the ACO's recent Beethoven concert in London “the finest concert of the summer” and spoke of “thrilling playing”, “vibrant drive” and “total involvement”, concluding, “this compact chamber orchestra matches anything Europe can offer in energy, precision and interpretative rigour.”

Joined by one of the finest British choirs this concert promises to be something special where every note Beethoven wrote can be heard rather than lost in a sea of overblown orchestral 'atmosphere'.

• Messiaen Prayer of Christ ascending towards his Father, from L’Ascension
• Brahms Geistliches Lied
• Beethoven Calm Sea and Prosperous Voyage
• Beethoven Symphony No.9 (one of White Hat's Top 100 Symphonies)

Beethoven 9 - Ode to Joy

The Australian Chamber Orchestra with Richard Tognetti (Artistic Director and Lead Violin), Choir of Clare College, Cambridge (Graham Ross Director), Lucy Crowe (soprano), Fiona Campbell (mezzo soprano), Allan Clayton (tenor) Matthew Brook (bass)

White Hat has long believed that many modern performance of Beethoven symphonies by large symphony orchestras lack the vitality and drive of a performance by a first rate chamber orchestra - supplemented where necessary - of the proportions that Beethoven was writing for For those who share this view we suggest you look no further. Critics called the ACO's recent Beethoven concert in London “the finest concert of the summer” and spoke of “thrilling playing”, “vibrant drive” and “total involvement”, concluding, “this compact chamber orchestra matches anything Europe can offer in energy, precision and interpretative rigour.”

Joined by one of the finest British choirs this concert promises to be something special where every note Beethoven wrote can be heard rather than lost in a sea of overblown orchestral 'atmosphere'.

• Messiaen Prayer of Christ ascending towards his Father, from L’Ascension
• Brahms Geistliches Lied
• Beethoven Calm Sea and Prosperous Voyage
• Beethoven Symphony No.9 (one of White Hat's Top 100 Symphonies)

Beethoven 9 - Ode to Joy

The Australian Chamber Orchestra with Richard Tognetti (Artistic Director and Lead Violin), Choir of Clare College, Cambridge (Graham Ross Director), Lucy Crowe (soprano), Fiona Campbell (mezzo soprano), Allan Clayton (tenor) Matthew Brook (bass)

White Hat has long believed that many modern performance of Beethoven symphonies by large symphony orchestras lack the vitality and drive of a performance by a first rate chamber orchestra - supplemented where necessary - of the proportions that Beethoven was writing for For those who share this view we suggest you look no further. Critics called the ACO's recent Beethoven concert in London “the finest concert of the summer” and spoke of “thrilling playing”, “vibrant drive” and “total involvement”, concluding, “this compact chamber orchestra matches anything Europe can offer in energy, precision and interpretative rigour.”

Joined by one of the finest British choirs this concert promises to be something special where every note Beethoven wrote can be heard rather than lost in a sea of overblown orchestral 'atmosphere'.

• Messiaen Prayer of Christ ascending towards his Father, from L’Ascension
• Brahms Geistliches Lied
• Beethoven Calm Sea and Prosperous Voyage
• Beethoven Symphony No.9 (one of White Hat's Top 100 Symphonies)

Kuss Quartet & Naoko Smizu

• Gordon Kerry String Quintet (2012)
• Bedrich Smetana String Quartet no 2 in D minor (c 1882-3)
• György Kurtag Officium Breve in Memoriam Andreae Szervánszky, op 28
• Wolfgang Amadeus Mozart String Quintet no 3 in C major, K515

Monteverdi's L'Orfeo

7pm, Wed 19th, Thu 20th, Fri 21st, Tues 25th & Wed 26th September 2012

Kuss Quartet & Naoko Smizu

The Kuss Quartet is a regular at Carnegie and Wigmore Halls and Shimizu was the first female Principal Viola of the Berlin Philharmonic so this concert promises to deliver string quintet playing of the highest level.

• Gordon Kerry String Quintet (2012)
• Wolfgang Amadeus Mozart String Quartet no 21 in D major, KV575
• György Kurtag Officium Breve in Memoriam Andreae Szervánszky, op 28
• Johannes Brahms String Quintet no 2 in G major, op 111

Kuss Quartet & Naoko Smizu

• Gordon Kerry String Quintet (2012)
• Bedrich Smetana String Quartet no 2 in D minor (c 1882-3)
• György Kurtag Officium Breve in Memoriam Andreae Szervánszky, op 28
• Wolfgang Amadeus Mozart String Quintet no 3 in C major, K515

Kuss Quartet & Naoko Smizu

The Kuss Quartet is a regular at Carnegie and Wigmore Halls and Shimizu was the first female Principal Viola of the Berlin Philharmonic so this concert promises to deliver string quintet playing of the highest level.

• Gordon Kerry String Quintet (2012)
• Wolfgang Amadeus Mozart String Quartet no 21 in D major, KV575
• György Kurtag Officium Breve in Memoriam Andreae Szervánszky, op 28
• Johannes Brahms String Quintet no 2 in G major, op 111

Mozart, Handel & Vivaldi Concertos

The Australian Chamber Orchestra with Richard Egarr (Guest Director, Harpsichord, Fortepiano) and Satu Vänskä (Lead Violin)

Keyboard players, conductor, historian, and director of the Academy of Ancient Music, Richard Egarr directs this concert from the harpsichord and performs Mozart's delightful Piano Concerto No.12 on the fortepiano. White Hat suggests you take the opportunity to hear the difference it make to have a Mozart concerto played on the fortepiano rather than an overblown concert grand. Satu Vänskä is soloist in a Vivaldi concerto on the ACO's Stradivarius violin.

• Corelli Concerto Grosso, Op.6 No.1
• Castello Two Sonatas, “per stromenti d’arco”
• Biber Battalia
• Vivaldi Violin Concerto, RV190
• Mozart Piano Concerto No.12
• Handel Concerto Grosso, Op.6 No.1

Mozart, Handel & Vivaldi Concertos

The Australian Chamber Orchestra with Richard Egarr (Guest Director, Harpsichord, Fortepiano) and Satu Vänskä (Lead Violin)

Keyboard players, conductor, historian, and director of the Academy of Ancient Music, Richard Egarr directs this concert from the harpsichord and performs Mozart's delightful Piano Concerto No.12 on the fortepiano. White Hat suggests you take the opportunity to hear the difference it make to have a Mozart concerto played on the fortepiano rather than an overblown concert grand. Satu Vänskä is soloist in a Vivaldi concerto on the ACO's Stradivarius violin.

• Corelli Concerto Grosso, Op.6 No.1
• Castello Two Sonatas, “per stromenti d’arco”
• Biber Battalia
• Vivaldi Violin Concerto, RV190
• Mozart Piano Concerto No.12
• Handel Concerto Grosso, Op.6 No.1

Mozart, Handel & Vivaldi Concertos

The Australian Chamber Orchestra with Richard Egarr (Guest Director, Harpsichord, Fortepiano) and Satu Vänskä (Lead Violin)

Keyboard players, conductor, historian, and director of the Academy of Ancient Music, Richard Egarr directs this concert from the harpsichord and performs Mozart's delightful Piano Concerto No.12 on the fortepiano. White Hat suggests you take the opportunity to hear the difference it make to have a Mozart concerto played on the fortepiano rather than an overblown concert grand. Satu Vänskä is soloist in a Vivaldi concerto on the ACO's Stradivarius violin.

• Corelli Concerto Grosso, Op.6 No.1
• Castello Two Sonatas, “per stromenti d’arco”
• Biber Battalia
• Vivaldi Violin Concerto, RV190
• Mozart Piano Concerto No.12
• Handel Concerto Grosso, Op.6 No.1

Mozart, Handel & Vivaldi Concertos

The Australian Chamber Orchestra with Richard Egarr (Guest Director, Harpsichord, Fortepiano) and Satu Vänskä (Lead Violin)

Keyboard players, conductor, historian, and director of the Academy of Ancient Music, Richard Egarr directs this concert from the harpsichord and performs Mozart's delightful Piano Concerto No.12 on the fortepiano. White Hat suggests you take the opportunity to hear the difference it make to have a Mozart concerto played on the fortepiano rather than an overblown concert grand. Satu Vänskä is soloist in a Vivaldi concerto on the ACO's Stradivarius violin.

• Corelli Concerto Grosso, Op.6 No.1
• Castello Two Sonatas, “per stromenti d’arco”
• Biber Battalia
• Vivaldi Violin Concerto, RV190
• Mozart Piano Concerto No.12
• Handel Concerto Grosso, Op.6 No.1

Mozart, Handel & Vivaldi Concertos

The Australian Chamber Orchestra with Richard Egarr (Guest Director, Harpsichord, Fortepiano) and Satu Vänskä (Lead Violin)

Keyboard players, conductor, historian, and director of the Academy of Ancient Music, Richard Egarr directs this concert from the harpsichord and performs Mozart's delightful Piano Concerto No.12 on the fortepiano. White Hat suggests you take the opportunity to hear the difference it make to have a Mozart concerto played on the fortepiano rather than an overblown concert grand. Satu Vänskä is soloist in a Vivaldi concerto on the ACO's Stradivarius violin.

• Corelli Concerto Grosso, Op.6 No.1
• Castello Two Sonatas, “per stromenti d’arco”
• Biber Battalia
• Vivaldi Violin Concerto, RV190
• Mozart Piano Concerto No.12
• Handel Concerto Grosso, Op.6 No.1

Anthony Marwood and Aleksandar Madžar

Beethoven's Kreutzer Sonata is justifiably well-known and loved as one of the great works of the violin sonata repertoire. However White Hat believes that Debussy's Violin Sonata, the last work he completed and the last that he performed in public, is yet to be afforded the status it deserves by the public. This fine pair of instrumentalists are sure to do them both justice.

• Gordon Kerry Martian Snow (2008)
• Ludwig van Beethoven Violin Sonata no 9 in A major, ‘Kreutzer’, op 47 (one of White Hat's Top 100 Chamber Works)
• Claude Debussy Violin Sonata in G minor (c 1916-17)
• Franz Schubert Fantasie in C major, D934

Anthony Marwood and Aleksandar Madžar

Beethoven's Kreutzer Sonata is justifiably well-known and loved as one of the great works of the violin sonata repertoire. However White Hat believes that Debussy's Violin Sonata, the last work he completed and the last that he performed in public, is yet to be afforded the status it deserves by the public. This fine pair of instrumentalists are sure to do them both justice.

• Gordon Kerry Martian Snow (2008)
• Ludwig van Beethoven Violin Sonata no 9 in A major, ‘Kreutzer’, op 47 (one of White Hat's Top 100 Chamber Works)
• Claude Debussy Violin Sonata in G minor (c 1916-17)
• Franz Schubert Fantasie in C major, D934

Anthony Marwood and Aleksandar Madžar

Beethoven's Kreutzer Sonata is justifiably well-known and loved as one of the great works of the violin sonata repertoire. However White Hat believes that Debussy's Violin Sonata, the last work he completed and the last that he performed in public, is yet to be afforded the status it deserves by the public. This fine pair of instrumentalists are sure to do them both justice.

• Gordon Kerry Martian Snow (2008)
• Ludwig van Beethoven Violin Sonata no 9 in A major, ‘Kreutzer’, op 47 (one of White Hat's Top 100 Chamber Works)
• Claude Debussy Violin Sonata in G minor (c 1916-17)
• Franz Schubert Fantasie in C major, D934

Anthony Marwood and Aleksandar Madžar

Beethoven's Kreutzer Sonata is justifiably well-known and loved as one of the great works of the violin sonata repertoire. However White Hat believes that Debussy's Violin Sonata, the last work he completed and the last that he performed in public, is yet to be afforded the status it deserves by the public. This fine pair of instrumentalists are sure to do them both justice.

• Gordon Kerry Martian Snow (2008)
• Ludwig van Beethoven Violin Sonata no 9 in A major, ‘Kreutzer’, op 47 (one of White Hat's Top 100 Chamber Works)
• Claude Debussy Violin Sonata in G minor (c 1916-17)
• Franz Schubert Fantasie in C major, D934

Anthony Marwood and Aleksandar Madžar

Beethoven's Kreutzer Sonata is justifiably well-known and loved as one of the great works of the violin sonata repertoire. However White Hat believes that Debussy's Violin Sonata, the last work he completed and the last that he performed in public, is yet to be afforded the status it deserves by the public. This fine pair of instrumentalists are sure to do them both justice.

• Gordon Kerry Martian Snow (2008)
• Ludwig van Beethoven Violin Sonata no 9 in A major, ‘Kreutzer’, op 47 (one of White Hat's Top 100 Chamber Works)
• Claude Debussy Violin Sonata in G minor (c 1916-17)
• Franz Schubert Fantasie in C major, D934

Russian Visions

Tchaikovsky’s Souvenir is one of his sunniest and most exuberant works and Shostakovich's first piano concerto is full of pyrotechnics for the pianist and accompanying trumpet. What is sometimes less recognised is that this work calls for first rate string playing from the orchestra. For that reason, White Hat suggests you take the opportunity to get along and hear it with one of the best string ensembles in Australia - or any other country for that matter.

• Prokofiev (arr. Barshai/Tognetti) Visions fugitives
• Shotakovich Piano Concerto No.1
• Shotakovich Octet
• Tchaikovsky Souvenir de Florence (one of White Hat's Top 100 Chamber Works)

Russian Visions

Tchaikovsky’s Souvenir is one of his sunniest and most exuberant works and Shostakovich's first piano concerto is full of pyrotechnics for the pianist and accompanying trumpet. What is sometimes less recognised is that this work calls for first rate string playing from the orchestra. For that reason, White Hat suggests you take the opportunity to get along and hear it with one of the best string ensembles in Australia - or any other country for that matter.

• Prokofiev (arr. Barshai/Tognetti) Visions fugitives
• Shotakovich Piano Concerto No.1
• Shotakovich Octet
• Tchaikovsky Souvenir de Florence (one of White Hat's Top 100 Chamber Works)

Russian Visions

Tchaikovsky’s Souvenir is one of his sunniest and most exuberant works and Shostakovich's first piano concerto is full of pyrotechnics for the pianist and accompanying trumpet. What is sometimes less recognised is that this work calls for first rate string playing from the orchestra. For that reason, White Hat suggests you take the opportunity to get along and hear it with one of the best string ensembles in Australia - or any other country for that matter.

• Prokofiev (arr. Barshai/Tognetti) Visions fugitives
• Shotakovich Piano Concerto No.1
• Shotakovich Octet
• Tchaikovsky Souvenir de Florence (one of White Hat's Top 100 Chamber Works)

Russian Visions

Tchaikovsky’s Souvenir is one of his sunniest and most exuberant works and Shostakovich's first piano concerto is full of pyrotechnics for the pianist and accompanying trumpet. What is sometimes less recognised is that this work calls for first rate string playing from the orchestra. For that reason, White Hat suggests you take the opportunity to get along and hear it with one of the best string ensembles in Australia - or any other country for that matter.

• Prokofiev (arr. Barshai/Tognetti) Visions fugitives
• Shotakovich Piano Concerto No.1
• Shotakovich Octet
• Tchaikovsky Souvenir de Florence (one of White Hat's Top 100 Chamber Works)